Art of seduction and love

Here's a lesson in ars amandi.

Let a woman know that you love her, that you want her and are excited by her. But if you are unsuccessful in the sexual expression of your love, the more you love her personally without this cardinal success the more you arouse in her contempt and boredom. You become tedious and even hated, at best tolerated. But, be eminently successful  in satisfying a woman sexually and even if you do not love her, she will love you, and a woman's love  is more passionate and less selfish than a man's in all its manifestations... I am going to teach you how to produce this effect in women, in any woman, whether they attract you personally or not. Furthermore, I am going to show you how, with a little training, you can do this a number of times and be none the worse for it.

From GRU espionage training.

HoneyTrap example

Adventures in diplomacy: Second Secretary, US Embassy, Honeytrapped by Russia's FSB.

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Espionage writers desperately needed

 One of the least appreciated facts about the intelligence profession is that it exists in, and is influenced by, a very complex environment—one that includes everything from its relationships with policymakers, legislatures, military services, foreign partners, and last but not least, to its interaction with the public. How intelligence relates to all of these arenas—and how it is regarded within them— ultimately affects everything from intelligence performance to funding to recruitment of personnel. The public is a particularly important part of this environment. But unlike military services, intelligence organizations do not have recruitment centers in every mid-sized town; nor do most families have some member who has served in intelligence. Hence, what most in the public think about intelligence depends to a large extent on what they see in cinematic, documentary, and novelistic sources like those reviewed in this issue. This is particularly the case in the United States, but I suspect it is true by varying degree in all of the countries our reviewers represent or have spent time in.

As the reviewers make clear, what the public sees and reads is with rare exception fantasy mixed with a few kernels of truth. This is particularly true when it comes to American authors and directors. We have not yet produced an espionage novelist with the maturity and perfect pitch so frequently found in the work of British masters such as John le Carré [...]

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Toronto Public... Book-Burning-Place

Some years ago I lived in Toronto's High Park neighborhood. Several blocks away from my house stood the High Park Toronto Public Library. One of the best features of this branch was the huge selection of foreign language books they had. I borrowed them, and I purchased many of those which were discarded and offered for sale. I came every day, just to see what books were for sale, and almost each day I purchased some.

Over the years I bought at this and other Toronto libraries over 2,000 foreign language books, majority of which were / are not available in English. The ladies who staffed the counter knew me by name, they let me know when a larger selection of books was scheduled for sale. One day, one of these women pulled me over to a quiet corner of the kids' section, and told me, teary eyed: the Parkdale Library shredded 5 huge boxes of foreign language books!

I wasn't happy. I made it known. The chairman of the library board at the time might still remember my letter, after all it garnered an apology and an explanation: "it was an oversight". 5 huge boxes shredded by accident? Well, whatever, I got over it.

Recently I visited the High Park library again, in hope of scoring some interesting books that would not be available to me otherwise, what with the attitude of North American publishers toward translations. Imagine how I felt when a young woman at the desk explained why the library no longer offers books for sale, foreign or otherwise: space constraints force them to shred all discarded books!

Heinrich Heine once said: "Where they burn books, they will also burn humans in the end".

Paraphrased it reads: "Where they shred books…"

Below is the monument to the 1933 Nazi book burning at the Bebelplatz, Berlin:

Monument to the May 10, 1933 Nazi book burning: Designed by Micha Ullmann,
empty bookshelves, enough to hold all 20,000 burned books,
visible below the pavement of Bebelplatz in Berlin, Germany.

Occupation: pickpocket

“Ongoing SOF [U.S. Special Operations Forces] operations demonstrate the ability to collect significant amounts of pocket litter, hard copy documents, hard drives, cell phones, and other important hard copy and electronic media with significant intelligence value. However, without specialized expeditionary processing, this information becomes inaccessible and of no value to SOF in immediate urgent operational missions, and over the longer term to the war fighter, the intelligence community and others in need of access.”  The Committee recommended additional resources to remedy this deficiency.
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Classifieds: Writer seeking Sugar Daddy (or Sugar Mom)

Now, a radical thinning of the ranks of long-haul professional writers looks unavoidable. Even if an upswing comes along, the drop in incomes that digitised reading brings means that, for many, authorship will slip from a semi-rational career option to a passionate hobby. Novelists outside the bestseller lists may have to work as poets long have, stitching together a liveable portfolio from gigs, teaching, grants, and sporadic literary jobs. Many well-known writers of the past 30 years also tended to assume that a comfy university position lay in store when sales fell away. No longer. The creative-writing vogue may well soon pass its peak, and British teaching posts demand hard work. READ MORE

Publishing advances ruin publishers

Finally, an insider sheds light on the reasons behind the troubles publishing houses are dealing with: all those layoffs and cutbacks are not caused by the opportunity presented by the "economic downturn", not by readers who don't spend $$ on books that they cannot believe could be printed in the first instance, but it is the advances paid to authors...

"[...] what I do think – in common with most of publishing – is that the whole system of publishing advances is threadbare. It’s like the Windows operating system: the programme has been stretched and overwritten so much it is cumbersome and worn out. The fact that it just about “does the job” is why it’s still used." Read more.