Showing posts with label Thriller. Show all posts
Showing posts with label Thriller. Show all posts

02/01/2008

Elements of a novel

Folks often ask me: How to write a suspense novel?

Being an author of three novels (published and pending publication) I do not feel competent to answer this question definitively. I doubt I will have a definitive answer even with 10 books under my belt. As someone once said: When a writer begins to think that he knows how to write - he will never write anything worth reading again. I do not pretend to know how to write, however, being also an avid reader, I can at least attempt to describe my combined writer/reader observations.

When you pick up any novel, be it a thriller or a mainstream story, you will notice that it starts off with some sort of a crisis. To cut it short: the rest of the story deals with solving the crisis.

In more detail: the crisis is where something happens, and where the main characters are introduced. This must grab the readers' attention or else the novel is a bomb.

Next major step is required to keep the tension growing, and that step is called a twist. It involves some kind of trouble, or a turn in development of the plot that is surprising to the main character and readers.

Most authors of suspense and thriller novels will add a second twist, to keep the tension boiling, but also, and just as importantly so the reader doesn't think she already solved the mystery. This is where the protagonist's efforts at figuring out the first twist are shattered.

I think that readers are often way ahead of the writer in terms of figuring our where the story leads, and after the second twist they can usually tell the outcome, sometimes staying with the novel to the end, but often fingering through or outright dumping it. Yeah, I am that reader. So, as a writer I like to add a third twist, where any readers' notions of figuring out the plot are shattered into pieces. 

The twists should be constructed and presented in such a way that the buildup of tension leads to the climax, that point in the novel, not too far from- and not too close from the end where it is very difficult to put it down, whether or not one figured out what is about to happen.

Then the climax brings the resolution, that point where all the twists become clear, and lead to the only natural closing. The closing is the most difficult stage. It depends entirely on the previous stages. It is here that many authors fail their readers - where readers just shake their heads and say - It's ridiculous! Keep in mind that closing also means open end, if that is what comes as a natural result of everything that happened.

Of course the above treats the subject in the most shallow way -perhaps I will find the time to expand on it some day...

03/02/2007

Rejection, rejection, rejection...

Recently, several writers asked me for some tricks or miracle ways that would help them find a literary agent and to publish their first novels. Each one of them already received upwards of 100 rejections to query letters.

There's good news and there's bad news.

The good: you've received only 100 rejections.

The bad: expect more.

Sadly, that is the reality of the post 1990s publishing market consolidation: a handful of key people where there was plenty.

Folks, you do not need an agent to get published (my example proves it), but it is becoming a Catch 22: more and more publishers will not accept anything from writers directly - submissions and queries must come from known literary agencies.

Trouble is... agents consider writers their worst enemy. Why? Because majority of writers do not make enough money to make the effort of selling their works worth while. What an agent wants is a Tom Clancy, someone who manufactures mega sellers so they can sit back and cash in cheques for nothing.

Imagine this scenario: an employer calls you and offers you a job - basically to cash in a cheque. What do you do?

Now look at it this way: you (the employer) offer a literary agent to sell your book and receive a cut from sale. What is an agent's reply? Some will send a bitchy reply to never-ever bother them again. Many will blacklist your IP / email address. Majority will ignore you (it makes no difference whether you query by email or snail mail, except that you will save money by emailing because despite assurances that all mail is responded to if an SASE is included - it is simply not so.)

Folks, there is no miracle way. Query, query, query... When an agent does not reply or when you receive a rejection without any explanation (95% of rejections) and you can't figure out why :

  1. re-send you query again after some weeks

  2. try another person from the same company

  3. change your subject line

  4. re-write your query / synopsis - concentrate on different aspects of your novel (make it sound more gory, or sexy, or political, or controversial, or change the genre it falls under...)


Finally, if you are only considering sending out your first query letters let me give you this advice: expect to receive rejections. Trust me, it will be that much easier to bear when you know they will be coming. They will be coming.

Start emailing literary agencies or publishers