Showing posts with label Readers. Show all posts
Showing posts with label Readers. Show all posts

17/11/2013

Reading and Common Humanity

“In all the academic fluff that is thrown at us when high-brow people start blabbing about the importance of reading, this is never mentioned”:

“a book is a much better babysitter than any toy, television, tablets, Xbox or Playstation.”

Early reading start leads to a better society:

“Reading helps to keep our prisons in check. Neil Gaiman, writing in The Guardian says how in America they easily predict prison growth on a simple algorithm based on the percen-tage of 10-year-olds couldn’t read. The lower the percentage of child read-ers, the more crowded the prison cells will be in future.”

More importantly still:

“Reading helps us to keep our politicians in check. Because we’ll know what’s happening around the world, and we’d have read the historical precedents, then, we’ll be able to tell our politicians what we want and we’ll be able to rise above party politics and aim for a common humanity.”

Continue reading: http://www.timesofmalta.com/articles/view/20131117/opinion/A-fairy-tale-a-day-does-keep-ignorance-at-bay.495053

09/11/2013

Why fiction is irresistible

"How come so many people in the world are drawn towards stories and plots that never even occurred!”

"If we explore this dynamic we will see that each reader is compelled to this genre for different reasons, but of course there are always similarities. It is widely believed that reading fiction is an escapist hobby and this is quite true. The world we live in, the world we adapt to and the life we are bound to may not seem fascinating all the time. We get bored by our daily routines and the repetitive process starts looking like a trap. Now to vent out and feel fabulous many of us choose to pick out a more fantasy version of life. A place where everything is possible, where even for a short time you can live someone else’s life! This doesn’t mean that the person doesn’t have grip on the realities of life. It just shows that all of us are humans and that some magical phenomenon always seems appealing."

"Apart from that, reading fiction is always a treat for your brain. Encouraging you to think beyond the boundaries of society, creatively and filling you with new ideas. So to all those parents who are always chasing their kids to read more of the academic books than fiction, should remember that your kids are doing mind exercises. So instead of scolding, encourage them to read and introduce them to the world of ‘The Books’.”

Sarwat Amin Rattani, in thefrontierpost.com

03/10/2013

Readers of literary fiction are better mind-readers

"When we read a thrilling-but-predictable bestseller, “the text sort of grabs us and takes us on a roller-coaster ride,” “and we all sort of experience the same thing.” Literature, on the other hand, gives the reader a lot more responsibility. Its imaginary worlds are full of characters with confusing or unexplained motivations. There are no reliable instructions about whom to trust or how to feel.”

Researchers suspect “that the skills we use to navigate these ambiguous fictional worlds serve us well in real life. In particular” they “surmised that they enhance our so-called theory of mind. That’s the ability to intuit someone else’s mental state—to know, for example, that when someone raises their hand toward us, they’re trying to give us a high-five rather than slap us. It’s closely related to empathy, the ability to recognize and share the feelings of others.”

“Increasing evidence supports the relationship between reading fiction and theory of mind. But much of this evidence is based on correlations: Self-reported avid readers or those familiar with fiction also tend to perform better on certain tests of empathy, for example.”

From: news.sciencemag.org

02/10/2013

The Book Cemeteries

“When the Britains and America are fused into one book market; when it is recognized that letters, which as to their material and their aim are a high-soaring profession, as to their mere remuneration are a trade; when artificial fetters are relaxed, and printers, publishers, and authors obtain the reward which well-regulated commerce would afford them, then let floors beware lest they crack, and walls lest they bulge and burst, from the weight of books they will have to carry and to confine. …

A vast, even a bewildering prospect is before us, for evil or for good; but for good, unless it be our own fault, far more than for evil. Books require no eulogy from me; none could be permitted me, when they already draw their testimonials from Cicero and Macaulay. But books are the voices of the dead. They are a main instrument of communion with the vast human procession of the other world. They are the allies of the thought of man. They are in a certain sense at enmity with the world. Their work is, at least, in the two higher compartments of our threefold life. In a room well filled with them, no one has felt or can feel solitary. Second to none, as friends to the individual, they are first and foremost among the compages, the bonds and rivets of the race, onward from that time when they were first written on the tablets of Babylonia and Assyria, the rocks of Asia minor, and the monuments of Egypt, down to the diamond editions of Mr. Pickering and Mr. Frowde. ...

The purchase of a book is commonly supposed to end, even for the most scrupulous customer, with the payment of the bookseller’s bill. But this is a mere popular superstition. Such payment is not the last, but the first term in a series of goodly length. If we wish to give to the block a lease of life equal to that of the pages, the first condition is that it should be bound.” But, “bound or not, the book must of necessity be put into a bookcase. And the bookcase must be housed. And the house must be kept. And the library must be dusted, must be arranged, should be catalogued. What a vista of toil, yet not unhappy toil! Unless indeed things are to be as they now are in at least one princely mansion of this country, where books, in thousands upon thousands, are jumbled together with no more arrangement than a sack of coals; where not even the sisterhood of consecutive volumes has been respected; where undoubtedly an intending reader may at the mercy of Fortune take something from the shelves that is a book; but where no particular book can except by the purest accident, be found.

Such being the outlook, what are we to do with our books? Shall we be buried under them like Tarpeia under the Sabine shields? Shall we renounce them (many will, or will do worse, will keep to the most worthless part of them) in our resentment against their more and more exacting demands? Shall we sell and scatter them? as it is painful to see how often the books of eminent men are ruthlessly, or at least unhappily, dispersed on their decease.

Without answering in detail, I shall assume that the book-buyer is a book-lover, that his love is a tenacious, not a transitory love, and that for him the question is how best to keep his books. I pass over those conditions which are the most obvious, that the building should be sound and dry, the apartment airy, and with abundant light. And I dispose with a passing anathema of all such as would endeavour to solve their problem, or at any rate compromise their difficulties, by setting one row of books in front of another. I also freely admit that what we have before us is not a choice between difficulty and no difficulty, but a choice among difficulties. …

Clearly these masses, and such as these, ought to be selected first for what I will not scruple to call interment. It is a burial; one, however, to which the process of cremation will never of set purpose be applied. The word I have used is dreadful, but also dreadful is the thing. To have our dear old friends stowed away in catacombs, or like the wine-bottles in bins: the simile is surely lawful until the use of that commodity shall have been prohibited by the growing movement of the time. But however we may gild the case by a cheering illustration, or by the remembrance that the provision is one called for only by our excess of wealth, it can hardly be contemplated without a shudder at a process so repulsive applied to the best beloved among inanimate objects. …

Undoubtedly the idea of book-cemeteries such as I have supposed is very formidable. It should be kept within the limits of the dire necessity which has evoked it from the underworld into the haunts of living men. But it will have to be faced, and faced perhaps oftener than might be supposed. And the artist needed for the constructions it requires will not be so much a librarian as a warehouseman.

But if we are to have cemeteries, they ought to receive as many bodies as possible. The condemned will live ordinarily in pitch darkness, yet so that when wanted, they may be called into the light. Asking myself how this can most effectively be done, I have arrived at the conclusion that nearly two-thirds, or say three-fifths, of the whole cubic contents of a properly constructed apartment may be made a nearly solid mass of books: a vast economy which, so far as it is applied, would probably quadruple or quintuple the efficiency of our repositories as to contents, and prevent the population of Great Britain from being extruded some centuries hence into the surrounding waters by the exorbitant dimensions of their own libraries.”

How best to tend to these book cemeteries, according to William Ewart Gladstone: http://www.gutenberg.org/ebooks/3426

28/07/2013

Readers vs Non-Readers

"The world is divided between readers and non-readers – and the difference between the two is enormous and unbridgeable.

Readers absorb; non-readers broadcast.

Readers know stuff; non-readers are running on empty.

Readers are curious; non-readers aren't.

Readers are obsessed with the world beyond themselves; non-readers are self-obsessed.

Reading, like any addiction, has its problems. Once you discover that the best books are better company than most people, you can lose patience with the company of most people. To be caught without a book or a paper in a queue, at an airport or on a train, is extreme agony.The cure for the addiction, though, is easy – always have a book or paper on you; and do your best to minimise your time in the company of boring people – themselves almost always non-readers."

From: http://blogs.telegraph.co.uk/culture/harrymount/100070190/the-world-is-divided-between-interesting-readers-and-boring-non-readers/



Conspiracy Theory or Truth? Find out in SpyWriter Jack King's:
Agents of Change, WikiJustice, The Black Vault, and The Fifth Internationale.
Books by Jack King:


www.SpyWriter.com

04/04/2013

Why Readers Like Books

"For an important intellectual product to be immediately weighty, a deep relationship or concordance has to exist between the life of its creator and the general lives of the people. These people are generally unaware why exactly they praise a certain work of art. Far from being truly knowledgeable, they perceive it to have a hundred different benefits to justify their adulation; but the real underlying reason for their behavior cannot be measured, is sympathy."

Thomas Mann, Death in Venice:

http://archive.org/stream/DeathInVenice/DeathInVenice-ThomasMann_djvu.txt



SpyWriter Jack King, the author of:
Agents of Change, WikiJustice, The Black Vault, and The Fifth Internationale.
Books by Jack King:


www.SpyWriter.com

01/04/2013

Hidden Symbolism in Literature

"Reading became like dreaming in that well-written compositions act much like dreams in the sense that certain things are disguised or concealed so that a reader can accept the profound message being given.

The whole purpose of this is so that a reader will learn something new or have their perception challenged. If this new thought could infiltrate the reader’s initial ego defense, still disguised, it could finally give the reader an opportunity to analyze and translate the information.I like to admit that there is a need for change in the world — there always has been.

I firmly believe that the more we study literature, the more we begin to challenge our bound perception, to shun ignorance and to scorn those who still hold to outdated intellectual fashions.Our minds and stigmas can be greatly healed by that which is hidden in literature. The sooner we begin to try and understand the truth in literature, the sooner we will understand ourselves, and the world can begin to heal."

More: http://m.redandblack.com/views/literature-connects-individuals-to-wider-world-truth/article_8a3ffc74-97e4-11e2-ab0f-0019bb30f31a.html



SpyWriter Jack King, the author of:
Agents of Change, WikiJustice, The Black Vault, and The Fifth Internationale.
Books by Jack King:


www.SpyWriter.com

28/03/2013

How readers choose books

"When it comes to choosing books to read, the majority of our decisions are based on heuristics of one sort or another, including:

cover design
typography
genre
author
title
imprint or publisher
friends’ recommendations
reviews
star ratings
whether it’s part of series
plot summary
endorsements from other authors
date it was published
quotes from the book
paper quality (for print books)
photo of the author
adverts
interviews with the author

The problem is, many of these heuristics are flawed.

Let’s get down and dirty with what really matters in a book: The words and whether they speak to us. The only real way we can choose between books is to begin to read them, and if publishers want us to fall in love with their books, they have to make at least the first chapter available for free online."

More: http://www.forbes.com/sites/suwcharmananderson/2013/03/28/book-discovery-give-me-blind-dates-with-books/



SpyWriter Jack King, the author of:
Agents of Change, WikiJustice, The Black Vault, and The Fifth Internationale.
Books by Jack King:


www.SpyWriter.com

16/08/2012

Faking It, or sticking it to the establishment

"the literary fake—a piece of fiction that pretends in some way to be true. Is it fact or fiction? Is it good fun or something more disturbing? By operating under the auspices of traditionally nonfictional modes to tell its story, the literary fake chooses to bring the reader to suspension of disbelief through means that include extreme guile—and, in cases where the reader recognizes the trick, continues to amuse, entertain, and say something interesting about the human condition regardless. As such, it destabilizes our view of reality, which can be uncomfortable, sometimes unforgivable, especially if we think someone is laughing at us. We don’t always appreciate things that look like other things, even if there’s a purpose to the mimicry; perhaps this is a vestige of an ancient evolutionary trait that allowed us to discern between the harmless and the harmful.

Nor do some readers, apparently, like to think they are being made to believe something false against their will. Fakes are especially divisive at two essential moments in time: when they slip past the reader’s defenses and when the reader discovers the deception. Whether this latter point occurs soon after picking up the book or halfway through it, a literary fake eventually forces the reader to decide whether to be sympathetic or hostile toward the fakery."

But writers may be onto something when they fake it:

"Fakes [...] can be a form of guerilla warfare against the establishment, acting out against the artificiality and sheer bureaucratic impulse that animates much of modern book culture. Naturally, then, a fake can “disturb the guardians of literary studies, book-reviewing, and the literary awards system."

More: http://www.newhavenreview.com/index.php/print-editions/the-art-of-the-literary-fake-with-violin/



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www.SPYWRITER.com

16/10/2009

Of authors, readers, and publishers

While I respect the need for publishers to vet titles for commercial potential, there’s something inherently broken about a system that rejects titles through this narrow lens.  What about brilliant long tail works with potential audiences of only 100 or 500?  The publishing industry can’t support these.  Publishers also cannot accurately predict which titles will become huge hits, and which will flop, so they routinely overlook great works.

For the last couple centuries, publishers have controlled the means of book production and distribution.  This is too much power concentrated in the hands of too few people whose business interests don’t always align with the interests of authors and readers.

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