What is Literary Inspiration

"His work took possession of him and he felt the approach of what is called inspiration. At such moments the relation of the forces that determine artistic creation is, as it were, reversed. The dominant thing is no longer the state of mind the artist seeks to express but the language in which he wants to express it. Language, the home and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of sonority but in terms of the impetuousness and power of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by virtue of its own laws, meter and rhythm and countless other forms and formations, which are even more important, but which are as yet unexplored, insufficiently recognized, and unnamed. At such moments Yurii Andreievich felt that the main part of the work was being done not by him but by a superior power which was above him and directed him, namely the movement of universal thought and poetry in its present historical stage and the one to come. And he felt himself to be only the occasion, the fulcrum, needed to make this movement possible." Boris Pasternak, Doctor Zhivago

Novels by SpyWriter Jack King: www.SpyWriter.com

Suffering and Literature

"Whatever the circumstances, Russians have never lost their deep love for literature. In fact, the worst of times, the best of books as its great 19th century literature stands testimony to: Pushkin, Gogol, Dostoevsky, Tolstoy, Turgenev, Chekov and a galaxy of several others. And the same tradition continued after the Revolution under the excesses of collectivisation and the Great purges of the 30s with writers like Gorky, Anna Akhmatova, Osip Mandelstam, Isaac Babel, Marina Tsvetava and Boris Pasternak, whose persecutions were both “brutal and exquisite”.

In Molotov’s Magic Lantern: A Journey into Russian History, which is history-cum-travelogue, Rachel Polonsky, a Cambridge academician, asks whether “there is a set of secret maps to be found among a person’s books, a way through the fortifications of the self” that would explain why a person’s deep love and apparent appreciation of literature (and culture in the larger sense) can be responsible for the execution of so many writers during the purges. Is this because, as the Russian scholar Dmitri Likhachev said, “the Russian people perish from an excess of space” that makes its literature “the most significant, the most tragic, the most philosophical”? These are the underlying questions, often asked about the relationship between suffering and literature, that Polonsky pursues in her book as she travels around the former Soviet empire to revisit the ghosts of great Russian writers of the past."

http://www.business-standard.com/india/news/v-vjourney-into-russian-history/418671/



WikiJustice: WikiLeaks meets Jack London's The Assassination Bureau, Ltd. www.SPYWRITER.com